Duran reduX in Los Angeles!!!

[©DURANMANIA Board Team]

[glow=red,2,300]Duran reduX in Los Angeles!!![/glow]



The reunited classic lineup of 1980s new wave group Duran Duran hits the Staples Center in Los Angeles as part of the band's "Astronaut the Tour' trek across the world. The five core members — Simon LeBon, Nick Rhodes, John Taylor, Roger Taylor and Andy Taylor — began performing together again in 2003 after nearly two decades apart, and released "Astronaut' in October 2004. It's the quintet's first album since 1985. The band is best known for its hits "Rio," "Girls on Film' and "Hungry Like the Wolf." The band began to achieve success thanks in part to then-new MTV that allowed people to not only hear Duran Duran's synth-pop, but also view its sense of style.

"DURAN DURAN," 8 p.m. Saturday, Staples Center, 1111. S. Figueroa St., Los Angeles. $35-$75. [phone] or www.ticketmaster.com

Staples Center Website: www.staplescenter.com/home/default.sps

[©DURANMANIA Board Team]

[glow=red,2,300]Article from 'LA Times'[/glow]

Still pretty, still popular
Duran Duran, reunited after 15 years, attracts fans old and new.
By Susan Carpenter, Times Staff Writer

February 24, 2005

Much has happened in the years since Duran Duran ushered in the '80s and the so-called new romantic era with the group's pretty-boy dance rock. Since conquering the world with its breakthrough hit "Planet Earth," the group and its synthetic sound have been successively replaced by hair metal, grunge and hip-hop.

Yet throughout it all, one thing's remained the same: the group's die-hard devotees, or Duranies. A bona fide phenom circa 1982, Duraniacs, as they were then called, aren't as demonstrative today as they were when they blasted cassettes of "Girls on Film" from their boom boxes, dancing along in sleeveless concert T-shirts. But if the screaming, dancing masses showing up for their recently launched North American reunion shows are any indication, Duranies haven't disappeared. In fact, they're multiplying.

Bolstered by '80s revivalism and an album that reunited the original band members for the first time in 15 years, Duranies now include fans who not only owned first-release copies of "Rio" but their spawn and newbies who know the group through "Astronaut," the record Duran Duran released in October.

"The one thing I would have thought would calm a little is the decibel level before we go on," said keyboardist Nick Rhodes, who, at 42, is still an imitation blond. "We knew we would probably attract a partially younger audience, but we figured there would also be a lot of people who'd stuck with us. It's a really, really mixed audience. When you get them all together, they make as much noise as they ever did and seem crazier than ever."

One such fan, 37-year-old Jenny Chicouris, is a Florida mom who saw all three Duran Duran shows in her home state and plans to see eight more on the reunion tour. "It's like a good movie. You watch the same movie over and over again, and you always catch something different," she says. "It's always a thrill to catch a song they might not have played at a previous show."

Twenty-seven years since forming the group with English schoolmate John Taylor, Rhodes isn't quite the heartthrob he was when Duran Duran posters doubled as wallpaper in the bedrooms of countless teens. But he, Taylor and their bandmates — singer Simon LeBon, guitarist Andy Taylor and drummer Roger Taylor — still look pretty great.

It's their sound that belies their age. On "Astronaut," LeBon's voice is as clear, charismatic and sexy as ever. Most of the music behind him, however, is middle-of-the-road dance fodder, a far cry from songs such as "Hungry Like the Wolf" that made the group a household name. While tracks like "Want You More" and "Taste the Summer" recapture some of the group's early energy, they're no "Reflex."The new album is proving to be a world away from the hit machines of the group's '81 debut and '82 follow-up "Rio." The two singles from the new album — "Sunrise" and "What Happens Tomorrow" — have cracked the top 40, but not the top 10. The songs from "Astronaut" are getting so little airplay that if you log on to the Duran Duran website, there's a list of the radio stations that are playing the band.

In some ways, it doesn't seem to matter. As its current tour is proving, Duran Duran's appeal transcends radio.

"Once you've survived 25 years and built up the name, you always know there's an audience. And whilst you want every song to be a huge hit, if the radio station is stupid enough not to play it, it doesn't matter," Rhodes said. "We've reached a point where we've all relaxed a bit. When you're really young and in a band, it's rife with anxiety because you don't know how long it's going to be around, if there's going to be another hit, whether young people will still find you fashionable."

Duran Duran was almost too fashionable for its own good. Thanks to MTV, its androgynous good looks were beamed worldwide, influencing kids to not only crank the volume but gel their hair and bust out the eyeliner.

After three smash records, Taylors Andy and John detoured in 1985 to "Bang a Gong" with Robert Palmer's Power Station. After Roger and Andy Taylor left the band a year later, Rhodes, LeBon and John Taylor kept it going into the '90s, but they were never able to reclaim the group's initial sound or popularity.

"People had been asking us for the 15 years we had been apart, 'When are you going to put the band back together?' We'd all been working on other things," Rhodes said. "Suddenly in 2000, we found ourselves young, free and single again. We all felt that it had reached a point where we'd been through other ideas, worked with other people and realized that this particular band, this lineup, had an extraordinary chemistry together."

A lot of people were waving money at them to tour, he said. But they didn't bite. Instead, they rented a house in France and holed up to see if they could still make music together.

"It was only after that that we looked at each other and said, 'This will work,' " said Rhodes, who, with the group, financed the album without the help of a record label.

Fans of the group's new songs and of the old should enjoy the latest tour. It's a two-hour mix of new and old and "a few real surprises for the die-hard fans," Rhodes said. "We don't like turning people away feeling they haven't heard what they want. We base our show on euphoria. We want people to leave on a high."

Susan Carpenter can be reached at [e-mail].

[©DURANMANIA Board Team]

LA Staples Center concert, Reuters review
^{Sun Feb 27, 2005 10:40 PM ET/ By Erik Pedersen}

LOS ANGELES (Hollywood Reporter) - Nattily attired in all black, with a couple of white shirts, MTV's first gods of video reached way back to last year for their opening number.

The layered, techno-lit and frustratingly catchy "(Reach Up for the) Sunrise" played like a warm-up act, preparing the adoring crowd for two hours of muted funk, synth pop, retro disco and Reagan-era memories.

Together as one for the first time in 20 years, the equally deified and despised Duran Duran eschewed the soft-cheese videos and grotesque fashion of their heyday, putting the focus squarely on their club-friendly music. They presented those mostly midtempo dance tunes with surprisingly little flash, though plucky frontman Simon LeBon has retained his thingyy struts and swivels. No, this time the reunited quintet seemed bent on proving that they were more than pretty boys who played funk-lite. Whether it worked as attempted is strictly a matter of personal taste. Nothing more.

The sound was superb inside cavernous Staples Center, which was either sold out or close to it, and the throng of friends and lovers stood, hugged, swayed, sang and reminisced during the biggest hits. The band visited most of its albums, with cuts from "Rio" and last year's reunion disc "Astronaut" combining for 10 of the night's 22 songs. From the teasing giggle that opens "Hungry Like the Wolf" through the pining chorus of final encore "Rio" -- which sticks in the mind, or the craw, as much as any hit of the era -- Duran Duran deftly seized the opportunity to once again bring its opiate to the masses.

The years have been entirely kind to LeBon, who seemed to gain confidence as the show progressed. His echo-aided voice never faltered -- even if he has rarely had to stretch on record or onstage. Instead, he deployed that trademark lilting whimper-whine to full effect on such period pieces as "Hold Back the Rain" and "Save a Prayer" and then rocked it up for the new, Chic-inspired "Nice," which provided some welcome beats per minute. Less chatty and less goofy than during some of the band's recent pre-reunion gigs, LeBon still proved to be a likable, genuine frontman -- light years from his smarmy early days.

Meanwhile, quintessential '80s dreamboat John Taylor sported leather pants, which inspired panting from many in the crowd; serviceable guitarist Andy Taylor played the "Notorious" lead right out of the Neal Schon songbook and purposely channeled Pete Townshend's ax shtick during "The Wild Boys"; Nick Rhodes mostly kept his synthesizing in check, setting the keyboards to steel drum for "The Chauffeur," which landed somewhere between sultry and porn flick; and Roger Taylor kept a low profile buried behind his drum kit.

The post-glory days material ranged from forgettable to formidable: 1988's "I Don't Want Your Love" came off like Foreigner plays funk, and "Come Undone" was atmospheric and sensual but ultimately meandering. Easily the most entertaining number of the night was the band's infectious cover of "White Lines," whose meaty licks and impassioned performance hinted at a versatility that went otherwise unexplored. It's a killer track that has to make even the band members question "Union of the Snake,"